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  <url>
    <loc>https://www.vangmayi.in/work</loc>
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    <lastmod>2024-04-23</lastmod>
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  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/the-arrival-of-aptos-and-the-fuss-about-fonts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/5fc3f772-041c-4d27-9289-2f2e95a592e4/Aptos.svg.png</image:loc>
      <image:title>Work - The arrival of Aptos and the fuss about fonts - Make it stand out</image:title>
      <image:caption>An earlier version of Aptos, designed by Steve Matteson, called Bierstadt. (Image: Wikimedia Commons)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/afdd4798-9adf-4ac5-9a62-b49a30dcc0eb/Calibri_sample_image.png</image:loc>
      <image:title>Work - The arrival of Aptos and the fuss about fonts - Make it stand out</image:title>
      <image:caption>Calibri dethroned Times New Roman around the time that Apple launched its first iPhone. (Image: Wikimedia Commons)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/pankaj-garg-objectifying-everyday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/f49aac53-7c47-4c4a-8733-e19acc4176da/PankajGarg_BizLounge_1700158078433_1700158102551.jpg</image:loc>
      <image:title>Work - Pankaj Garg: Objectifying everyday - Make it stand out</image:title>
      <image:caption>Pankaj Garg, founder and CEO, DailyObjects. (Illustration by Priya Kuriyan for Mint Lounge.)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/the-case-for-a-queer-history-month</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/7a13c7b5-a0ab-49f0-a79d-89d513aac5c1/ABC_8897.jpg</image:loc>
      <image:title>Work - The case for a queer history month - Make it stand out</image:title>
      <image:caption>Pride parade Kolkata 2018. (Image: Wikimedia Commons)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/westlands-gautam-padmanabhan-the-comeback-man</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/cb09ee5f-4f08-486d-bc6c-d3279320cc2a/gautam_padmanabhan_bizlounge_1690480733599_1690480733786.jpg</image:loc>
      <image:title>Work - Westland's Gautam Padmanabhan: The comeback man - Make it stand out</image:title>
      <image:caption>Gautam Padmanabhan, currently, business head of Westland Books at Pratilipi. (Illustration by Priya Kuriyan for Mint Lounge)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/e89240d2-0799-4b26-90f4-766be60ed2fa/Untitled_design_1690522995766.jpg</image:loc>
      <image:title>Work - Westland's Gautam Padmanabhan: The comeback man - Make it stand out</image:title>
      <image:caption>Rapid fire with Gautam Padmanabhan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/why-the-anglophone-reader-should-know-the-work-of-tamil-writer-jeyamohan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/765fad7d-4eef-4a6b-8b7d-d48ab3b9e9d5/IMG_1543-001_1682140631652_1682140661224.jpg</image:loc>
      <image:title>Work - Why the Anglophone reader should know the work of Tamil writer Jeyamohan - Make it stand out</image:title>
      <image:caption>Jeyamohan with his readers and fans. (Photographs courtesy the author )</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/fd0f692f-fca3-4e8a-8b7e-fcbece753a5a/Abyss_1682141214298.jpg</image:loc>
      <image:title>Work - Why the Anglophone reader should know the work of Tamil writer Jeyamohan - Make it stand out</image:title>
      <image:caption>Jeyamohan's Exhaam Ulagam (left) translated into English by Suchitra Ramachandran, as The Abyss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/c1de34c5-1d2e-4b87-b785-f27d84372e59/Stories_of_the_True_1682141433974.jpg</image:loc>
      <image:title>Work - Why the Anglophone reader should know the work of Tamil writer Jeyamohan - Make it stand out</image:title>
      <image:caption>Jeyamohan's Aram (left) translated into English by Priymavada Ramkumar, as Stories of the True.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2023/4/8/rajkamal-prakashans-ashok-maheshwari-the-legacy-builder</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/7d5dc610-5248-4c23-a664-cb223160f2fd/Ashok_Maheshwari_1680809736642_1680809755372_1680809755372.jpg</image:loc>
      <image:title>Work - Rajkamal Prakashan's Ashok Maheshwari: The legacy builder - Make it stand out</image:title>
      <image:caption>Ashok Maheshwari, the chairman and MD of Rajkamal Prakashan (Detail of illustration by Priya Kurian for Mint Lounge)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/enter-tastefluencer-the-rise-of-a-curator-economy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/022dd339-7e0b-4802-93a3-680f1474fe4f/Web_1_1676565091084_1676565098790_1676565098790.jpg.jpg</image:loc>
      <image:title>Work - Enter, tastefluencer: The rise of a curator economy - Make it stand out</image:title>
      <image:caption>Digital content is endless, tipping us into meaningless scrolling, addictive behaviours online and eventually, content-consumption burnout. A growing tribe of users is now stepping in as curators of this unwieldy world. (Illustration by Kokila B. for Mint Lounge)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1713848770792-3TDV1JDFGJXGPL47ZM0O/IMG_2269_1676565169975.jpg.jpg</image:loc>
      <image:title>Work - Enter, tastefluencer: The rise of a curator economy - Make it stand out</image:title>
      <image:caption>Curation isn’t only about finding a cleverer way to package already-made content. Curators quite literally forage in the deep woods of the internet to find just the right song, article, poem, piece of art that will make their effort worth paying for. (Illustration by Kokila B. for Mint Lounge)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/victory-city-review-a-grand-historical-rushdie-style</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/2e2a419c-4ed8-4ea1-b725-c7831545e5e0/Sir_Salman_Rushdie.jpg</image:loc>
      <image:title>Work - Victory City review: A grand historical, Rushdie style - Make it stand out</image:title>
      <image:caption>Salman Rushdie. (Image: Wikimedia Commons)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/7d727601-a111-492a-bee7-21d4232d5c8c/Victory_City_Salman_Rushdie_1676001478468.jpg</image:loc>
      <image:title>Work - Victory City review: A grand historical, Rushdie style - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/the-startling-originality-of-shehan-karunatilaka</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/d3ec8642-8e0f-4bb4-a40f-44559222f5ca/Shehan_Karunatilaka.jpg</image:loc>
      <image:title>Work - The startling originality of Shehan Karunatilaka - Make it stand out</image:title>
      <image:caption>Shehan Karunatilaka (Image: Wikimedia Commons)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/ac582046-1d05-47c3-be8b-b6ec29866842/Maali_Almeida_Book_Jacket_1667544183393.jpg</image:loc>
      <image:title>Work - The startling originality of Shehan Karunatilaka - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/free-speech-is-the-biggest-value-i-believe-in-orhan-pamuk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1f3179a9-e804-4f63-b454-0716b6160bc0/Orhan_Pamuk_in_Rustaveli_Theatre%2C_Tbilisi%2C_Georgia%2C_2014.jpg</image:loc>
      <image:title>Work - Free speech is the biggest value I believe in: Orhan Pamuk - Make it stand out</image:title>
      <image:caption>When he began writing Nights Of Plague, his friends wondered if anyone would care to read it. (Image: Wikimedia Commons)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/dc6a56fd-83d3-458d-848c-2d5921611a78/81wizyQF1xL._SL1500_.jpg</image:loc>
      <image:title>Work - Free speech is the biggest value I believe in: Orhan Pamuk - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/why-wordless-books-for-children-are-getting-better-popular</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/64e88d31-d2d8-4abe-8bb0-1cc22faed75c/A_page_from_Dugga_Pratham_Books_1663924941290_1663924972995_1663924972995.jpg</image:loc>
      <image:title>Work - Why wordless books for children are getting better, popular - Make it stand out</image:title>
      <image:caption>A page from Dugga by Rajiv Eipe (Pratham Books)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/d4fae590-4212-4562-b6e6-5e9eb6b8b1b9/Theatre_of_ghosts_by_pankaj_saiki_Pratham_Books_1663925573764.jpg</image:loc>
      <image:title>Work - Why wordless books for children are getting better, popular - Make it stand out</image:title>
      <image:caption>A page from Pankaj Saikia's Theatre of Ghosts. (Pratham Books)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/roger-federer-growing-up-with-the-champions-champion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/8f8d38ec-fa96-47c9-8661-89a11cd38e23/Britain-Tennis-Laver-Cup-27_1663919180173_1663919180173.jpg</image:loc>
      <image:title>Work - Roger Federer: Growing up with the champion's champion - Make it stand out</image:title>
      <image:caption>Over the last two decades, the love that Federer’s game and personality inspired led to long lasting connections between fans.  (AP)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2024/4/23/how-daily-objects-tell-the-history-of-india</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/0ff092f4-09f7-4c9e-a52e-ff8e0a74c3e0/All_India_Typewriter_from_Godrej_Archives_ONETIMEUSE_1660302209330.jpg</image:loc>
      <image:title>Work - How daily objects tell the history of India - Make it stand out</image:title>
      <image:caption>In 1955, Godrej’s first all-Indian typewriter, Model M9, launched, the first such in Asia. When an iteration was first shown to Pirojsha Godrej in 1954, he asked the engineers: “Is it as good as Remington?” Initially imported but later manufactured in Calcutta, and so popular there was a six-month waiting period, Remington’s typewriters were stiff competition. For Godrej, which mainly manufactured products involving fabrication, an intricate machine like a typewriter, with hundreds of parts and complex functions, was a challenge. A year later, the engineers finally pulled it off. Their typewriter found wide acceptance in India. Seen in the news clipping here is then prime minister Jawaharlal Nehru, trying it out in January 1955.  (Image courtesy: Godrej Archives)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/2be42e42-9afd-4e4a-8f31-4ee58108e441/Web_4_1660303113366.jpg</image:loc>
      <image:title>Work - How daily objects tell the history of India - Make it stand out</image:title>
      <image:caption>This joint Indo-Pakistan passport, valid for one year, was issued to Hanwant Singh Hora, son of Prem Singh Hora, on 13 August 1955 in Lucknow, so he could be allowed to retrieve valuables that the family had buried in Pakistan during Partition. Hanwant Singh was issued a single-visit visa for Lahore and Peshawar district, with a validity of six months from the date of issue and a duration of stay not exceeding three months. He left Attari on 20 October 1955 and returned to India via Wagah on 27 October 1955. (Image courtesy: Partition Museum Archives)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2022/6/18/indianwritingintranslation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/d0e4cc52-aa36-4ac2-b573-1153925d9947/Cover_spread_for_translations_story_Jayachandran_1653043635166.jpg</image:loc>
      <image:title>Work - Is this the big moment for Indian writing in translation? - Make it stand out</image:title>
      <image:caption>Corporate publishing houses have started looking more closely at translating books by various Indian language writers into English, and Indian language publishers are just about beginning to get acquainted with rights. A look at how the ecosystem is evolving (Illustration by Jayachandran)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/a112b5f8-9d31-413d-a99f-c7f929a6bf3f/Tomb_of_Sand_and_Ret_Samadhi_1653044262632.jpg</image:loc>
      <image:title>Work - Is this the big moment for Indian writing in translation? - Make it stand out</image:title>
      <image:caption>Ret-Samadhi published by Rajkamal Prakashan and Tomb of Sand's Indian edition published by Penguin Random House India</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1655526859790-NMCAJCW4X52P6TIMLPEO/Ghachar_Ghochar_cover_1653043972154.jpg</image:loc>
      <image:title>Work - Is this the big moment for Indian writing in translation?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1655526896806-2APW48VYSAXOVX50PRZW/one+part+woman+front+cover.jpg</image:loc>
      <image:title>Work - Is this the big moment for Indian writing in translation?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1655526950349-BWJTGUW1V2QKCO68Y8QJ/greatest+stories+ever+told+assamese+aleph.jpg</image:loc>
      <image:title>Work - Is this the big moment for Indian writing in translation?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1655526989509-C0VT4YJ66W3J0HMNDCQZ/jayant+kaikini+no+presents+please.jpg</image:loc>
      <image:title>Work - Is this the big moment for Indian writing in translation?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/7cc53e56-b481-45a0-98c8-533263f2ef58/PG8-9-page-001.jpg</image:loc>
      <image:title>Work - Is this the big moment for Indian writing in translation? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/2cafe94a-c063-47e1-bd52-b78a972ec381/A_pick_of_translations_Box_1653044488769.jpg</image:loc>
      <image:title>Work - Is this the big moment for Indian writing in translation? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/2081cb69-b2f3-40aa-b3f7-8ddc841b1db4/PG_1.jpg</image:loc>
      <image:title>Work - Is this the big moment for Indian writing in translation? - Make it stand out</image:title>
      <image:caption>Mint Lounge, issue dated 21 May, 2022. Coverillustration by N. Jayachandran</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2022/4/17/possessing-more-than-one-language-has-never-harmed-anyone-geetanjali-shree</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/ca8a2ce3-add1-4d57-9f22-0c0d08aa66f6/Geetanjali+Shree+photo.jpg</image:loc>
      <image:title>Work - Possessing more than one language has never harmed anyone: Geetanjali Shree - Make it stand out</image:title>
      <image:caption>Author Geetanjali Shree. Image courtesy Penguin Random House India.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1650183769509-7DLOXIV5B6Q47XR0SKGZ/Ret+Samadhi_+Hindi+Original.jpg</image:loc>
      <image:title>Work - Possessing more than one language has never harmed anyone: Geetanjali Shree</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1650185013079-SA8AHGPS47G84OI3M62G/tomb+of+sand.jpg</image:loc>
      <image:title>Work - Possessing more than one language has never harmed anyone: Geetanjali Shree</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2022/3/31/the-appeal-of-analogue-photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/946f5694-055d-4085-8b97-ed5b3a8c6881/analogue_camera_stylished_shot_annie_spratt_on_unsplash_1645844658025.jpg</image:loc>
      <image:title>Work - The appeal of analogue photography - Make it stand out</image:title>
      <image:caption>The movement towards rediscovering analogue photography has gained significant traction in India over the last few years (Annie Spratt on Unsplash)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Work - The appeal of analogue photography - Make it stand out</image:title>
      <image:caption>Looking at a roll of film at Prabhu Studios; (in background) various film stocks, including the Kodak Portra, stocked at the store (Courtesy Prabhu Studios)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/e392dd41-22dd-4a9e-9863-f6a88f59a99b/Cover+Story_Analogue+Appeal.jpg</image:loc>
      <image:title>Work - The appeal of analogue photography - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/e1c5f1c6-bdc7-45a5-92fd-4e203129f173/Vidhya_Sarbajoy_Zhenwei_rolls_1645761798742.jpg</image:loc>
      <image:title>Work - The appeal of analogue photography - Make it stand out</image:title>
      <image:caption>A portrait of Vidhyalakshmi Vijaykumar; of Sarbajoy Paul working in his darkroom; and a couple rolls from Zhenwei Film Lab. (Credit: Akshaya Vaidyanathan, Santanu Paul; Courtesy: Zhenwei Film Labs)</image:caption>
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      <image:title>Work - The appeal of analogue photography - Make it stand out</image:title>
      <image:caption>A portrait taken with the Nikkormat FT, with Kodak Gold 200 film. (Credit: Raghuvir Khare)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Work - The appeal of analogue photography - Make it stand out</image:title>
      <image:caption>Mint Lounge, issue dated 26 February, 2022. Cover photo by Vidhyalakshmi Vijaykumar</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2022/4/17/the-return-of-pankaj-mishra-the-novelist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1650188490194-MY86SBPXUH80MEZRBRCM/Pankaj+Mishra_PDF_Mint+Lounge.jpg</image:loc>
      <image:title>Work - With 'Run and Hide', writer Pankaj Mishra returns as a novelist - Make it stand out</image:title>
      <image:caption>This interview was first published in Mint Lounge on 19 February, 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1650188789198-EUX6EWHDF2L995XO0YGG/Book+Cover+Pankaj+Mishra.jpg</image:loc>
      <image:title>Work - With 'Run and Hide', writer Pankaj Mishra returns as a novelist - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.vangmayi.in/work/2022/4/17/where-is-the-big-covid-19-novel</loc>
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    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
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      <image:title>Work - Where is the big covid-19 novel?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1650189803631-AQXMBEN9YKRYOKZB6FLP/poetry_book_1638018744766.jpg</image:loc>
      <image:title>Work - Where is the big covid-19 novel?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1650189805880-XWWZV05ZLCGH9PXMPR2Z/shoba_de_1638005818752.jpg</image:loc>
      <image:title>Work - Where is the big covid-19 novel?</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1650190192281-ZK525X36663MEOCBB62E/Blind+Matriarch_Namita+Gokhale.jpg</image:loc>
      <image:title>Work - Where is the big covid-19 novel?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1650190195622-1AJK7Y4C6D4AIIIGN9PL/Homebound_Puja+Changoiwala.jpg</image:loc>
      <image:title>Work - Where is the big covid-19 novel?</image:title>
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  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/8/31/finely-rendered-study-of-grief-offset-by-predictable-politics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1630410560171-DM121M8YS4T2I6SRFW9D/9789354227257.jpg</image:loc>
      <image:title>Work - The Illuminated: Finely rendered study of grief offset by predictable politics - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1630410134565-Q406KF4L1QIJ6426SQZI/Review_The+Illuminated.JPG</image:loc>
      <image:title>Work - The Illuminated: Finely rendered study of grief offset by predictable politics - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/8/31/editing-fails-this-debut</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1630410787938-G8VUJQTEJD349I710393/B09378MQ1W.01._SCLZZZZZZZ_SX500_.jpg</image:loc>
      <image:title>Work - Mapping Love: Editing fails Ashwiny Iyer Tiwari's debut novel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1630410813617-9GUGJUGJUMAB08S7CXPF/Review_Mapping+Love.JPG</image:loc>
      <image:title>Work - Mapping Love: Editing fails Ashwiny Iyer Tiwari's debut novel - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/7/25/the-humour-and-romance-of-being-in-karuthupuzha</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/ea1b5f7b-2981-4f44-bec3-20e44aa2c287/Karuthupuzha+book+cover.jpg</image:loc>
      <image:title>Work - The humour and romance of being in Karuthupuzha - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/25/sylvia-mythreyi-karnoors-is-a-clever-debut</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621933741803-T7XJGF0HTP3AM55CV0O0/image003.jpg</image:loc>
      <image:title>Work - Sylvia: Mythreyi Karnoor's is a clever debut - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/25/a-portrait-of-the-moment-hari-kunzru-on-red-pill</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621925813369-OTRN4GBVE4QP5DI56ZY3/Hari+Kunzru+-+credit+Clayton+Cubitt+%28ftu%29.jpg</image:loc>
      <image:title>Work - A portrait of the moment: Hari Kunzru on 'Red Pill' - Make it stand out</image:title>
      <image:caption>Hari Kunzru | Credit: Clayton Cubitt</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621925693254-UVFI6OALTZC9MWBI6CIZ/red-pill-9781471194474_hr+%281%29.jpg</image:loc>
      <image:title>Work - A portrait of the moment: Hari Kunzru on 'Red Pill' - Make it stand out</image:title>
      <image:caption>The book’s cover that features writer Heinrich von Kleist, whose grave is by the Wannsee. Kunzru, who visits the graves of writers, admitted on Twitter recently that ‘thanks to my walks to his grave in Wannsee he's now on a billboard in Shoreditch (with laser eyes)’.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/25/our-changing-relationship-with-wristwatches</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621934916132-Y8J1Q9VBXFLVJLFQNGQI/Banner-5f48baf2cb94a.jpeg</image:loc>
      <image:title>Work - Our changing relationship with wristwatches - Make it stand out</image:title>
      <image:caption>An Apple Watch juxtaposed with a classic wrist watch. Shutterstock</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621935072493-DXQCYO2RV71XGI3VYHCR/Garmin.jpeg</image:loc>
      <image:title>Work - Our changing relationship with wristwatches - Make it stand out</image:title>
      <image:caption>Designs from the Apple Watch Series 5; the activity tracker on a Garmin smartwatch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621935122350-5JJ9YZM9JPJCZKHV4W2G/HMTJanata2-5f47a7c0b7a41.jpeg</image:loc>
      <image:title>Work - Our changing relationship with wristwatches - Make it stand out</image:title>
      <image:caption>The classic HMT Janata</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621935196498-GJ191TOGTDZNS4PK7IOL/Panerai+Luminor+Blu+Mare+-+44mm.jpeg</image:loc>
      <image:title>Work - Our changing relationship with wristwatches - Make it stand out</image:title>
      <image:caption>The Panerai Luminor Blue Mare - 44MM</image:caption>
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  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/24/tanjore-paintings-the-guild-of-gold</loc>
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    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621910338584-GWDT3CJCF3UPNK498ISC/Tanjore+Painting+Progress.jpeg</image:loc>
      <image:title>Work - Tanjore paintings: The guild of gold - Make it stand out</image:title>
      <image:caption>The making of a Tanjore painting | Courtesy Swaminathan Vishwakarma</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621910455511-FSLO06HB3GLVCY894RF5/Inline-GajaLakshmiTanjorePainting-5f2a5e6181b10.jpeg</image:loc>
      <image:title>Work - Tanjore paintings: The guild of gold - Make it stand out</image:title>
      <image:caption>Gajalakshmi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621910672785-KZCI1QN39RX4BACPWVC5/Inline-SwaminathapaintsMurugan_-5f2a5e636bc82.jpeg</image:loc>
      <image:title>Work - Tanjore paintings: The guild of gold - Make it stand out</image:title>
      <image:caption>Swaminathan working on a Tanjore painting of Murugan | Courtesy Swaminathan Vishwakarma</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/24/the-infinite-hypnosis-of-the-infinite-scroll</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621868301783-TFX2EFWOKRLMFX3ZYR7A/mehdi-lamaaffar-K7ZUwdcGfeE-unsplash.jpg</image:loc>
      <image:title>Work - The infinite hypnosis of the infinite scroll - Make it stand out</image:title>
      <image:caption>Photo by Mehdi Lamaaffar on Unsplash</image:caption>
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  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/24/how-moma-got-woke</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621869443212-1LW45LY0AX7ZR1NPJ4YH/MOMA.jpeg</image:loc>
      <image:title>Work - MoMA's grand reopening: An interview with Glenn D Lowry - Make it stand out</image:title>
      <image:caption>Installation view of Around Les Demoiselles d’Avignon (Gallery 503), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Heidi Bohnenkamp</image:caption>
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      <image:title>Work - MoMA's grand reopening: An interview with Glenn D Lowry - Make it stand out</image:title>
      <image:caption>Glenn D. Lowry</image:caption>
    </image:image>
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  <url>
    <loc>https://www.vangmayi.in/work/2021/5/24/nd2rrgrdv9vsqc8ozn2svwhza3ij0v</loc>
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    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621912137397-23JB4GYP5G2CVC0ZMW71/WIP-2Lodhi-ColonyStArt-Residency-2019-13.jpeg</image:loc>
      <image:title>Work - Can Gond work in the contemporary street-art space? - Make it stand out</image:title>
      <image:caption>Notable Pardhan-Gond artist and Padma Shri awardee, Bhajju Shyam at work in Lodhi Art District | Photo Credit: Pranav Gohil/St+art India</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621911529806-R7QQTV3NOTQZUI3Q8FCI/PatangarhStArt-Residency-2019PranavGohil-56.jpeg</image:loc>
      <image:title>Work - Can Gond work in the contemporary street-art space? - Make it stand out</image:title>
      <image:caption>The wall of a home, decorated with Gond art in Bhajju’s place of birth, Patangarh, Madhya Pradesh. Gond art is prevalant here.   | Photo Credit: Pranav Gohil/St+art India</image:caption>
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  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/24/priyam-chatterjee-drummer-chef-knight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621917586637-V4XKCRUB2YBNDW6BOJGA/Screenshot+2021-05-25+at+10.09.34.png</image:loc>
      <image:title>Work - Priyam Chatterjee: Drummer, Chef, Knight - Make it stand out</image:title>
      <image:caption>Priyam Chatterjee | Courtesy Priyam Chatterjee</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621917366319-OB5BG73JCQDG2HG11KPL/Screenshot+2021-05-25+at+10.05.35.png</image:loc>
      <image:title>Work - Priyam Chatterjee: Drummer, Chef, Knight - Make it stand out</image:title>
      <image:caption>A Van Gogh inspired dish by Chatterjee, called Langoustine with essence of the ocean, made of squid ink sauce, beurre blanc, and green pea flower pigments| A screen-grab from the Chef’s Instagram account @priyamchatterjeeofficial</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/24/chandan-tiwary-the-tree-man-of-delhi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621915637321-4WK7K4ULIQWQ3S1NMVYC/_DSC1915.jpg</image:loc>
      <image:title>Work - Chandan Tiwary: The tree man of Delhi - Make it stand out</image:title>
      <image:caption>Chandan Tiwary at Sunder Nursery | Credit: Vangmayi Parakala</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/24/ruskin-bond-at-85-from-his-room-in-the-hills</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621914062435-Z0VW0AH24LX98C9Q63UY/_DSC1908.jpg</image:loc>
      <image:title>Work - Ruskin Bond at 85: From his room in the hills - Make it stand out</image:title>
      <image:caption>Ruskin Bond, in his room. Landour, Mussorie. May, 2019 | Credit: Vangmayi Parakala</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621914202007-C42HLK8SF4MTET4YVIXG/2ECD13E6-7720-43E3-B98C-D3F8F1452D3A.jpg</image:loc>
      <image:title>Work - Ruskin Bond at 85: From his room in the hills - Make it stand out</image:title>
      <image:caption>“I don’t use a chair anymore. When I’m sleepy in between writing, I just topple back into bed.” | Vangmayi Parakala</image:caption>
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  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/25/npakb3yadfprf4hecbbole6l6epu5x</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2019/4/27/trees-give-wings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1556421699876-8CYYU6PRT6M0XOZLJXFD/Venkat+Raman+Singh+Shyam+Tulsi+Vivah+47.5x67+inches+Acrylic+on+Canvas_61aea47ffbde5d8f2a055477d37cc50a.jpeg</image:loc>
      <image:title>Work - Trees give wings</image:title>
      <image:caption>Tulsi Vivah, by Venkat Raman Singh Shyam, acrylic on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1556421743325-J4JMSCOJ1WE9ZS4L2SNW/IMG_0163.JPG</image:loc>
      <image:title>Work - Trees give wings</image:title>
      <image:caption>A portrait of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1556421981107-CK6BYV3GO229SEOZH3OT/IMG_0165.JPG</image:loc>
      <image:title>Work - Trees give wings</image:title>
      <image:caption>Pakari Tree by Venkat Raman Singh Shyam, acrylic on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1556421866451-BUQ8B1DKC345MWKCD731/Venkat+Raman+Singh+Shyam_30+x+23+inches_Acrylic+on+acid+free+paper_738881c78d984547ac4336aee5d43e9a.jpeg</image:loc>
      <image:title>Work - Trees give wings</image:title>
      <image:caption>Knowledge Tree, by Venkat Raman Singh Shyam, acrylic on canvas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2019/4/27/recontextualising-a-repository-of-history-for-tweets-and-posts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1556418966022-ZAEIJWYUM87ENH3MC4BZ/India_national_museum_01.jpg</image:loc>
      <image:title>Work - Recontextualising a repository of history, for tweets and posts</image:title>
      <image:caption>A view of the National Museum, New Delhi. From Wikimedia Commons</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2019/2/4/how-did-an-architect-of-the-slam-poetry-scene-become-its-public-enemy-no-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1549339212337-QMVMRGYTMDUM71DVQIAW/GreenMill4.jpg</image:loc>
      <image:title>Work - How did an architect of the slam poetry scene become its Public Enemy No. 1?</image:title>
      <image:caption>A view of the iconic Green Mill Cocktail Lounge in Uptown, Chicago. After the slam on a summer Sunday in 2018, the area is empty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1549338116250-N2AK03WSHCFHCC1F0SDR/GreenMill1.jpg</image:loc>
      <image:title>Work - How did an architect of the slam poetry scene become its Public Enemy No. 1?</image:title>
      <image:caption>Marc Smith takes the stage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1549338104951-UDDG5TY2AP7OJPGV3813/GreenMill2.jpg</image:loc>
      <image:title>Work - How did an architect of the slam poetry scene become its Public Enemy No. 1?</image:title>
      <image:caption>Poets work on new pieces between drinks. At the beginning of every Uptown Poetry Slam, the audience is given three random words to use in a poem they will write through the course of the evening. The last portion of the open mic section every week is reserved for performing these poems.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1549338983795-Z6DTMYAWRU45VD4ZTQP3/GreenMill3.jpg</image:loc>
      <image:title>Work - How did an architect of the slam poetry scene become its Public Enemy No. 1?</image:title>
      <image:caption>Audience members and performers leave the Green Mill after the Sunday slam.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2019/1/13/the-dream-merchants</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1622447280180-1E9MDH6HYAPD1JJLG9BH/Vangmayi03.jpg</image:loc>
      <image:title>Work - The Dream Merchants - Make it stand out</image:title>
      <image:caption>At one of the lottery ticket stores near Sealdah railway station, a customer squints to see if he’s had any luck that day | Vangmayi Parakala</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/7a356893-e1e5-4bc6-870a-a102b1eaf8c4/2018-11-15_photo-0003.jpeg</image:loc>
      <image:title>Work - The Dream Merchants</image:title>
      <image:caption>One of the many, tiny lottery ticket re-sellers dotting the streets of Bara Bazaar, Kolkata. Some of them cannot fit more than two people, including the seller himself, at a time | Vangmayi Parakala</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1547364905073-C4H12LCR6OD8DP92MVQ8/Vangmayi02.jpg</image:loc>
      <image:title>Work - The Dream Merchants</image:title>
      <image:caption>Detail of Mahendra Singh’s hand with a brightly painted nail, as he deliberates over a Tuesday evening lottery ticket in Bara Bazaar, Kolkata | Vangmayi Parakala</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/12/1/is-entrepreneurship-the-next-cuban-revolution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1543649366160-O7BRQNM0FPI72HR37ZMI/negolution_twitter.jpeg</image:loc>
      <image:title>Work - Is entrepreneurship the next Cuban revolution?</image:title>
      <image:caption>A sample of some of Negolution’s issues. (Source: Negolution’s Twitter page)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2019/2/8/back-on-ground</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1549612168864-IQ302B9F5PYHTRI35QW7/image-asset.jpeg</image:loc>
      <image:title>Work - Back on Ground</image:title>
      <image:caption>Photo courtesy: www.standwithsol.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/10/13/the-myth-of-english-as-americas-national-language-a-conversation-with-dominika-baran</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539416989870-L4QYYLIFASS4UKQOGZJX/image-asset.jpeg</image:loc>
      <image:title>Work - 'The myth of English as America's national language': A conversation with Dominika Baran</image:title>
      <image:caption>Dreamers and advocates attend a rally in support of a Clean Dream Act in Los Angeles, California, on March 5th, 2018.(Photo: Frederic J. Brown/AFP/Getty Images)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539417014755-89R8FER10FD68HOAM7GT/baran.jpg</image:loc>
      <image:title>Work - 'The myth of English as America's national language': A conversation with Dominika Baran</image:title>
      <image:caption>Language in Immigrant America. (Photo: Cambridge University Press)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539417040912-2UNEX1F6APREKBOQYD9W/image-asset.jpeg</image:loc>
      <image:title>Work - 'The myth of English as America's national language': A conversation with Dominika Baran</image:title>
      <image:caption>(Photo: Dominika Baran)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/10/12/reshaping-our-cities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539412491056-FMQU0DVWSPK4OCUNU3CD/Screen+Shot+2018-10-13+at+11.59.15+AM.png</image:loc>
      <image:title>Work - Reshaping our cities</image:title>
      <image:caption>The iconic Hall of Nations at Pragati Maidan, Delhi was demolished in April 2017. Courtesy: @delhimodernism on Instagram</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539412668714-L9YB7TE59O7ZK4CKCL2G/image-asset.png</image:loc>
      <image:title>Work - Reshaping our cities</image:title>
      <image:caption>The Instagram project @calcuttahouses, started in 2013, is the brainchild of photographer Siddhartha Hajra, graphic designer Sayan Dutta, and Manish Golder. Courtesy: @calcuttahouses on Instagram</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539412909152-AQIW0HCLNU2DMN8SZ8N1/Screen+Shot+2018-10-13+at+12.11.09+PM.png</image:loc>
      <image:title>Work - Reshaping our cities</image:title>
      <image:caption>Houses of Mylapore aims to be the one-stop source of information on houses in Mylapore. Courtesy @housesofmylapore on Instagram.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539413145191-G0F8F11O8H4ZKJ2EXXHC/image-asset.png</image:loc>
      <image:title>Work - Reshaping our cities</image:title>
      <image:caption>Centenary Episcopal Methodist Church in Mumbai. Courtesy: @doorsofmumbai on Instagram.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/10/13/ruskin-bond-his-life-as-a-story</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539416790699-G0MVLF8I45CFV59F4JJT/image-asset.jpeg</image:loc>
      <image:title>Work - Ruskin Bond: His life as a story</image:title>
      <image:caption>Ruskin Bond recounts incidents from his own life that ended up featuring in his stories. Photo: Subrata Biswas/Hindustan Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621934296328-CUJK3PLBDUWN1K9XDDTY/71uPk%2Bsgj5L.jpg</image:loc>
      <image:title>Work - Ruskin Bond: His life as a story - Make it stand out</image:title>
      <image:caption>Lone Fox Dancing—My Autobiography: By Ruskin Bond, Speaking Tiger, 277 pages, Rs599.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/10/12/a-jharkhand-town-as-a-post-apocalyptic-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539413631572-SO2L3GHTQ726MFXQBPCO/Screen+Shot+2018-10-13+at+12.23.14+PM.png</image:loc>
      <image:title>Work - A Jharkhand town, as a post-apocalyptic world</image:title>
      <image:caption>A contractual labour, who makes about Rs 200 after loading four or five trucks with coal, at one of Jharia’s coal mines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539332473753-LHRSUOCUYSQFVZRXE2B9/jharkhand2-kyGC--414x621%40LiveMint.jpg</image:loc>
      <image:title>Work - A Jharkhand town, as a post-apocalyptic world</image:title>
      <image:caption>An Ambassador at a coal mine. Coal thieves flee when they see an Ambassador because they think a government official is coming.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539332418902-08W5OOJ1DHMJHG7AXEZ1/jharkhand4-kyGC--414x621%40LiveMint.jpg</image:loc>
      <image:title>Work - A Jharkhand town, as a post-apocalyptic world</image:title>
      <image:caption>End Of Time: By Ronny Sen, The Nazar Foundation, 96 pages; Rs. 1,500.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/10/12/the-house-of-forgotten-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539323154046-P1B61EQHFVXRC6QU14SJ/Folkart-k8KD--621x414%40LiveMint.jpg</image:loc>
      <image:title>Work - The house of forgotten art</image:title>
      <image:caption>Baij Nath Aryan with his siter Subhashini at their residence-cum-museum. Photographs: Ramesh Pathania/Mint</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539323391643-2ALDDREU0K0FCICL8MPB/image-asset.jpeg</image:loc>
      <image:title>Work - The house of forgotten art</image:title>
      <image:caption>Their living room lined with artefacts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539323359051-7TL2MDP3WTYGGVKVDU3Z/image-asset.jpeg</image:loc>
      <image:title>Work - The house of forgotten art</image:title>
      <image:caption>Figurines dating back to 2 BC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539323270198-ZORPLN45WJY7TGCN9BPP/Folkart3-k8KD--621x414%40LiveMint.jpg</image:loc>
      <image:title>Work - The house of forgotten art</image:title>
      <image:caption>A view of BN’s room and the mat on which he sleeps.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539323335624-SWLDZG5PW3PXDDIHUFZ3/Folkart4-k8KD--621x414%40LiveMint.jpg</image:loc>
      <image:title>Work - The house of forgotten art</image:title>
      <image:caption>A brass Hanuman face.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539323220981-8YRA1W30AS4I3PCCY5YE/image-asset.jpeg</image:loc>
      <image:title>Work - The house of forgotten art</image:title>
      <image:caption>A shelf filled with metal ‘mukhalingas’.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/10/13/alan-hollinghurst-on-writing-queer-subjects</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539416265520-I7YYHSRHUCR286ZMKGIN/AlanHollinghurst3-khZD--621x414%40LiveMint.JPG</image:loc>
      <image:title>Work - Alan Hollinghurst on writing queer subjects</image:title>
      <image:caption>Alan Hollinghurst at the Jaipur Literature Festival. Photo: PriyankaParashar/ Mint</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2021/5/25/you-cant-appreciate-the-greatest-books-if-the-translation-is-rubbish-deborah-smith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621924082366-4LZ7HW26Q735UIANF9YI/1487-deborah-smith.jpeg</image:loc>
      <image:title>Work - You can't appreciate the greatest books if the translation is rubbish: Deborah Smith - Make it stand out</image:title>
      <image:caption>Deborah Smith | Courtesy JLF</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1621940289972-1OYO35T42OTLUL7SAOYJ/91-6MprDfbL.jpg</image:loc>
      <image:title>Work - You can't appreciate the greatest books if the translation is rubbish: Deborah Smith - Make it stand out</image:title>
      <image:caption>The cover of ‘The Vegetarian’ by Han Kang, translated by Deborah Smith</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/10/12/image-makers-versus-photographers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539414696268-SNCB761U281IR6T1TJU5/image-asset.png</image:loc>
      <image:title>Work - Image-makers versus photographers</image:title>
      <image:caption>Nathalie Herschdorfer at the India Habitat Centre. Photo: Ramesh Pathania/Mint</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539402459239-CLHEVKLL2WMUDX0CB1ST/raykmetzker.jpg</image:loc>
      <image:title>Work - Image-makers versus photographers</image:title>
      <image:caption>Philadelphia 1964. Courtesy: Ray K. Metzker/ Laurence Miller Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539403016541-FZS2Y8Q4R7LEHZFGYGN2/mishkahenner-U10185036149j9F--621x414%40LiveMint.jpg</image:loc>
      <image:title>Work - Image-makers versus photographers</image:title>
      <image:caption>Mishka Henner exhibition. Courtesy: MBAL 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539414596750-KJY88LLVWDAIHILYUZ2N/danholdsworth-U10185036149j9F--621x414%40LiveMint-6c8d.jpg</image:loc>
      <image:title>Work - Image-makers versus photographers</image:title>
      <image:caption>Dan Holdsworth’s Continuous Topography. Courtesy: Nathalie Herschdorfer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/10/13/jeff-kinney-the-writer-of-longform-comics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539416024650-SFFGVG5XN2ECJBNUOX2A/jefferey-ksEE--621x414%40LiveMint.jpg</image:loc>
      <image:title>Work - Jeff Kinney: The writer of longform comics</image:title>
      <image:caption>Jeff Kinney. Photo: Pradeep Gaur/Mint</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539416083956-J2A5804R65XNPEHOJ4KF/image-asset.jpeg</image:loc>
      <image:title>Work - Jeff Kinney: The writer of longform comics</image:title>
      <image:caption>Pages from Kinney’s Wimpy Kid series</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539416075594-T1IDTQZIN0NDSMB0A8MZ/image-asset.jpeg</image:loc>
      <image:title>Work - Jeff Kinney: The writer of longform comics</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/10/12/recreating-deathsthrough-memoirs-reports-and-perfect-lighting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/51dd84bc-4997-45cb-bd9f-c58fc7455dd7/Iranian+photographer+Azadeh+Akhlaghi.png</image:loc>
      <image:title>Work - Recreating deaths—through memoirs, reports and perfect lighting</image:title>
      <image:caption>Iranian photographer Azadeh Akhlaghi at the Shridharani Gallery, Triveni Kala Sangam, New Delhi. Photo: Ramesh Pathania/Mint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539325734253-WAF8OYKDY4YQ0AX40MNM/iran3-kcxB--621x414%40LiveMint.jpg</image:loc>
      <image:title>Work - Recreating deaths—through memoirs, reports and perfect lighting</image:title>
      <image:caption>A recreation of Gholamreza Takhti, the Olympic gold-medal wrestler’s room in Atlantic Hotel in Tehran, January, 1968. Photograph: Azadeh Akhlaghi. Credits: Art Heritage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5acd8f8936099bfff90c6323/1539325781245-R0PLXOD0MEW81AVIKTQB/Zar-kcxB--621x414%40LiveMint.jpg</image:loc>
      <image:title>Work - Recreating deaths—through memoirs, reports and perfect lighting</image:title>
      <image:caption>A recreation of the three murders at the Faculty of Engineering, Tehran University. December 1953. Photograph: Azadeh Akhlaghi. Credits: Art Heritage.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.vangmayi.in/work/2018/10/11/poetry-gets-its-say</loc>
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      <image:title>Work - Poetry gets its say</image:title>
      <image:caption>Harnidh Kaur collaborates with artists on Instagram. Photo: Abhijit Bhatlekar/Mint</image:caption>
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      <image:title>Work - Poetry gets its say</image:title>
      <image:caption>The St Stephen’s College team rehearsing at the recent poetry slam in Bengaluru.</image:caption>
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      <image:caption>Radhika Sivsankar’s illustration of Kaur’s poem, ‘Seven things no one told you about sitting by the sea’</image:caption>
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      <image:title>Work - Learning the weft and weight of weaving in Maheshwar</image:title>
      <image:caption>Young weavers at Ahilya Fort model kurtas, stoles and dupattas made of textiles woven by them. Photographs: Pradeep Gaur/Mint</image:caption>
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      <image:title>Work - Learning the weft and weight of weaving in Maheshwar</image:title>
      <image:caption>Sally Holkar at a student’s loom on the THS campus</image:caption>
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      <image:title>Work - Learning the weft and weight of weaving in Maheshwar</image:title>
      <image:caption>A young weaver of Malharganj at work</image:caption>
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      <image:caption>A local handloom store at Maheshwar displaying saris and stoles</image:caption>
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      <image:caption>Indu Harikumar, writer and artist, photographed at her home in Navi Mumbai on February 27, 2016. Photo: Abhijit Bhatlekar/Mint</image:caption>
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      <image:caption>Page 7 (Lion of Lannister) of The Official A Game of Thrones Colouring Book, George RR Martin, published by Harper Voyager. Credit: Tomislav Tomić; and cover of Penguin Random House &amp; Good Earth’s colouring book Bagh-e-Bahar. Courtesy: Penguin Random House</image:caption>
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      <image:caption>A page from Beauty Needs Space, coloured in by Anika Naeem. Courtesy: Naeem and Harikumar.</image:caption>
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      <image:caption>A picture of March, from Alicia Souza’s Colour-in and Let Go calendar. Courtesy: Alicia Souza</image:caption>
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      <image:caption>A bear, cured and stitched up at the seams, lies on a table at a collectibles store. Maxwell Street Market, South Desplaines Street. Chicago, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:title>Fieldnotes - A Summer Sunday at the Maxwell Street Market</image:title>
      <image:caption>A customer braves the heat, walking past a store selling what it claims to be Victoria’s Secret goods. Maxwell Street Market, South Desplaines Street. Chicago, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:title>Fieldnotes - A Summer Sunday at the Maxwell Street Market</image:title>
      <image:caption>A man unloads a bagful of ice into a drum of freshly made horchata. Cold beverages, especially Mexican drinks, were popular on this summer day. Maxwell Street Market, South Desplaines Street. Chicago, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:title>Fieldnotes - A Summer Sunday at the Maxwell Street Market</image:title>
      <image:caption>Handcrafted wristbands on sale, next to Frida-Kahlo-printed kitschy sling purses. Maxwell Street Market, South Desplaines Street. Chicago, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:caption>While stores with cheap household items are still a big part of the market, it is the food-and-drinks stalls that are really popular. The long line here is testing a child’s patience and has him feeling grumpy. Maxwell Street Market, South Desplaines Street. Chicago, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:title>Fieldnotes - A Summer Sunday at the Maxwell Street Market</image:title>
      <image:caption>A taco is handed to a customer. Maxwell Street Market, South Desplaines Street. Chicago, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:caption>Children entertain themselves with a game of cornhole, as their parents wait in line to get seats at a popular food stall. Maxwell Street Market, South Desplaines Street. Chicago, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:caption>Low-Reen &amp; The Maxwell St Blues Band plays to an empty parking lot, under a tent pitched with the help of their own cars. Historically known as the birthplace of the Chicago Blues, the Maxwell Street Market has barely any audience for the music anymore. Maxwell Street Market, South Desplaines Street. Chicago, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:caption>A huge Cuban flag flutters in the courtyard of the Museum of the Revolution. Havana, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:caption>A view of the Jose Marti Memorial. Havana, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:caption>Vintage, brightly painted cars line the street, about a kilometer from the Jose Marti Memorial, attracting tourists. Havana, 2018. (Vangmayi Parakala/MEDILL)</image:caption>
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      <image:caption>A shot of an iPhone trying to connect to the ETECSA wifi, at a government-approved internet park. When the public wifi works, Havana residents can catch up on news of friends and the world. But the connection can be finicky. (Vangmayi Parakala/MEDILL)</image:caption>
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